Hyper-realism from Senegal to South Africa

By Patrick Nelle, bird story agency
 
From a distance, the image looks like a classic black and white photograph, but closer scrutiny reveals a fine piece of art. It is actually a pencil-drawn portrait.

To capture details — the face’s curves and contours, for example,  the skin pores; eyebrows, eyelids, spotless white teeth and general facial expression – and to express them in this fashion, clearly took the artist many long hours of sitting and drawing, all the while paying close attention to detail, with a single-minded focus.

This is the world of hyper-realism, a technique which consists in achieving a quasi-perfect illusion of a photograph through drawing, mainly with a pencil or charcoal. Unlike oil paint or acrylic, pencil – either graphite, charcoal, coloured, or pastel – is a dry medium, which gives the artist greater flexibility.

From Senegal to South Africa, more and more artists are using pencil as their medium, creating hyper-realistic works that are shared through social media–Twitter and Instagram.

The genre already has its African masters and rising stars.  Among them are Nigerians  Ayo Filade, Babajide Olatunji and Ifeyinwa Joy Chiamonwu.

The trend has taken off on social media and now, more artists are getting on board, exploring and embracing the genre.

“To make a hyper-realistic portrait is not easy, it requires a lot of patience and some models are more complex than others. Anyway, the most difficult part is the beginning. But once I have understood the subject, it becomes easier,” said Jelani Gueye, a Senegalese who has fallen in love with the pencil.

The 35-year-old artist said though it appeared challenging, he was attracted to the art form by “my personal obsession to detail in my work”.

“My introduction to hyper realism dates from 2017,” he added from his studio in Dakar. Gueye was putting the final touches to a piece he had been working on for weeks, he said.

While his love for visual representations dates back to his early youth, it was as a teenager that he decided to specialise.

“It’s at the age of 15 that I fully dedicated myself to the portrait, that I always realise with graphite pencil,” he explained.

After high school, he joined the Dakar National School of Arts where he honed his technique. It’s only recently that he leapt to hyper-realism.

“Hyperrealism is challenging because I have to be patient to not only observe but remember and render their detail in the portrait, said Gueye.

 “More and more I try to capture the emotions of my subjects to create a work full of life. The realisation of my works most often goes through the following steps: the sketch, the shadows and lights and finally the finishing by putting the accent on the details. It is a kind of puzzle that I do. A meticulous construction is necessary in order to create a realistic work full of life.”

Thousands of kilometres from Dakar,  Ibadan-based Adebisi Akeem (popularly known as Adebisi Olami), a self-taught and gifted 27-year-old Nigerian portrait artist, is also drawing attention with his powerful hyperrealist drawings.

 “I do conceptual hyperrealism using a charcoal pencil. I look for a story and I create a concept around it using human models, objects, shapes, figures and numbers to explain important situations in general,” he said.

A linguistics and communications graduate, Olami says the decision to put down his pen and pick up a pencil only came in his 20s, after he attended an art exhibition.

He recalled a group of artists staging a small art exhibition at his university, in 2016.  Then and there, he said, he fell in love with the genre.

“I was curious to know how they managed to create beautiful portraits and because I was too keen to learn the skill, I started watching and learning the art on YouTube,” he said.

“It was difficult at first but it became a part of me faster than I expected and I’ve been doing it with everything I’ve got, ever since.”

Olami is now an established portraitist with people regularly commissioning his art. Just like Gueye and Olami, other African portraitists rely heavily on social media platforms – especially Twitter and Instagram – to reach and extend their audience.

“People usually commission for celebrations like birthdays, weddings, to immortalise their family, ” said Adebisi whose works have already travelled across the ocean, to reach clients in the USA and the UK.

“Definitely, it is the level or realism in the portrait which attracts clients, and there is an important demand for portraits,” Gueye said.

This is precisely what Esther Adebayo, one of Adebisi’s clients was looking for when she contacted him.

“It was a pencil drawing but it was looking like a real-life picture,” she said, remembering the first time she came across one of the portraits.

She immediately commissioned a portrait, she recalled.

For Olami, drawing hyperrealistic portraits is both a way of connecting with people and exploring deeper his own creativity.

“It is a style of art with a very complex process so it allows me to set challenges for myself and put my mind to it,” he said.

bird story agency

 
 

Editor

devage.co.zw